Exploring classical style as it flowered in the late 18th century, a couple of familiar works – Mozart’s “Eine kleine Nachtmusik,” Haydn’s Symphony No. 102 – and an assortment of discoveries, including one of the most unusual pieces of the period, Paul Wranitzky’s “Grande Symphonie charactéristique,” a musical play-by-play of the French Revolution and the outbreak of the Revolutionary Wars.
May 17
noon-3 p.m. EDT
1600-1900 UTC/GMT
WDCE, University of Richmond
90.1 FM
http://www.wdce.org
Josef Mysliveček:
Overture No. 2 in A major
Concerto Köln/
Werner Ehrhardt
(DG Archiv)
Thomas Linley Jr.:
Violin Concerto in F major
Mirijam Contzen, violin
Bavarian Chamber Philharmonia/
Reinhard Goebel
(Oehms Classics)
Mozart:
Serenade in G major, K. 525
(“Eine kleine Nachtmusik”)
Die Kölner Akademie/
Michael Alexander Willens
(BIS)
William Herschel:
Symphony No. 2
in D major
(“Richmond”)
London Mozart Players/
Matthias Bamert
(Chandos)
C.P.E. Bach:
Cello Concerto in A minor, Wq 170
Peter Bruns, cello
Akademie für alte Musik Berlin/Stefan Mai
(Harmonia Mundi)
Haydn:Symphony No. 102
in B flat major
Les Musiciens du Louvre, Grenoble/
Marc Minkowski
(Naïve)
Józef Elsner:
“Sultan Vampum” Overture
Opole Philharmonic/
Bogusław Dawidow
(Dux)
Pedro Étienne Solère:
“Concerto espagnol” in B flat major
Dieter Klöcker, clarinet
Prague Chamber Orchestra/
Milan Lajcík
(Supraphon)
Paul Wranitzky:
“Grande Symphonie charactéristique”
in C minor
(“On the Peace with
the French Republic”)
NDR Radio Philharmonic/Paul Griffiths
(cpo)