In the final hour, remembering Pierre Boulez, who died earlier this month. We’ll hear Boulez’s work as an authoritative conductor of modern music, with the three US orchestras with which he was most closely associated – the Cleveland Orchestra, Chicago Symphony and New York Philharmonic – along with a brief sample of his elusive yet vivid compositional style.
Jan. 21
10 a.m.-1 p.m. EST
1500-1800 UTC/GMT
WDCE, University of Richmond
90.1 FM
www.wdce.org
Wagner: “Die Meistersinger” – Prelude Act 1
MET Orchestra/James Levine
(Deutsche Grammophon)
Albéniz: Piano Concerto
in A minor
(“Concierto fantastico”)
(orchestration by
Tomás Bréton)
Aldo Ciccolini, piano
Royal Philharmonic/
Enrique Bátiz (EMI Classics)
Past Masters:
Saint-Saëns: Cello Concerto No. 1 in A minor
Janos Starker, cello
London Symphony Orchestra/Antal Doráti (Mercury)
(recorded 1964)
Johan Helmich Roman:
Concerto in D majorAnthony Robson,
oboe d’amore
Orchestra of the Age of Enlightenment/
Anthony Halstead (Musica Sveciae)
Beethoven: Quartet in
E flat major, Op. 74 (“Harp”)
Artemis Quartet
(Virgin Classics)
Chopin: Barcarolle in F sharp minor, Op. 60
Ivan Moravec, piano (Supraphon)
Stravinsky: “Scherzo fantastique”
Cleveland Orchestra/
Pierre Boulez
(Deutsche Grammophon)
Boulez: “Livre pour Quatuor” IIIc (1962)
Quatour Parisii
(Deutsche Grammophon)
Bartók: Divertimento
for string orchestra
Chicago Symphony Orchestra/Pierre Boulez (Deutsche Grammophon)
Ravel: “La Valse”
New York Philharmonic/Pierre Boulez
(Sony Classical)