Tinnitus, the persistent ringing in the ears commonly resulting from overexposure to high-volume music and other loud noises, may be treatable by "custom-tailored notched music treatment," German researchers report. Katherine Harmon sounds out this potential breakthrough in Scientific American:
http://www.scientificamerican.com/blog/post.cfm?id=music-to-the-ringing-ears-new-thera-2009-12-28
The New York Review of Books catalogues the work of its longtime caricaturist, David Levine, who died recently. In the music section, note his varying perspectives on Igor Stravinsky:
http://www.nybooks.com/gallery/
If you go there, be prepared to spend some time.
(via Andrew Sullivan)
"O Fortuna," the chorus that opens and concludes Carl Orff's "Carmina Burana," has been named Britain's "most listened to classical piece," at least among recordings, by the BBC:
http://news.bbc.co.uk/2/hi/entertainment/8432499.stm
Not this version, I'm guessing:
http://carmina.ytmnd.com/
(Hit refresh before playing, so sound and pictures are in sync.)
Thanks to Jim Lowery for identifying this as "The Magi from the East," a woodcut by Gustav Doré.
Mike Gruss of The Virginian-Pilot of Norfolk turns up two descendants of Josef Mohr, the composer of "Silent Night." Richard Mohr and his son, Josef, run a bowling alley in Nags Head, N.C.:
http://hamptonroads.com/2009/12/descendent-silent-night-writer-owns-outer-banks-bowling-alley
Many music critics are assembling tops-of-the-decade lists of performances, so I thought I should do the same.
Revisiting live performances of classical music in and around Richmond during the aughts – the weirdly esoteric moniker with which the decade of 2000-09 has been saddled – was a pleasant diversion on a snowy night. It also proved to be a nostalgic and contemplative exercise for me, as it covered my last seven years at the Richmond Times-Dispatch and my first three as an independent blogger.
Most of the decade lists I’ve seen are top tens, a venerable format – and a usefully economical one in a time of shrinking space in print media. Space constraints not being much of a concern in this digital realm, however, I saw no reason to limit myself to 10, or even 20, performances. As it turns out, my list runs to 57.
The decade has coincided with Mark Russell Smith’s tenure at the Richmond Symphony, so this also turned into 
a compilation of the most memorable performances led by the orchestra’s fourth music director.
It was a banner decade for pianists: Ivan Moravec, Sonia Rubinsky, Stephen Hough, André Watts, Alexander Paley, Krystian Zimerman, Angela Hewitt, Leon Fleisher, Marc-André Hamelin, Yuja Wang, Jeremy Denk and Pascal Rogé headed the most impressive lineup of keyboard talent Richmond has heard since the 1930s and '40s, when the likes of Rachmaninoff and Moiseiwitsch frequently performed here. Making this keyboard feast even more remarkable, much of it occurred during years in which the logistics of performing in church sanctuaries prevented the symphony from engaging more than a handful of piano soloists. That void was filled very nicely by the University of Richmond's Modlin Center, Virginia Commonwealth University's Rennolds Concerts and Paley's annual festival.
These are performances that I attended. One thing or another kept me away from a number of concerts that I had anticipated with high hopes, and that probably should be counted among the decade’s best musical events.
Like all such lists, this one is affected by personal preferences and aversions, no matter how hard the list-maker tries to be "objective." (I didn’t try very hard.)
My timeline of classical-music events to remember in Central Virginia over the past decade:
Nov. 18, 2000 – Mark Russell Smith, the symphony’s recently arrived maestro, demonstrates his mettle in large-scale choral music as he leads the orchestra and Richmond Symphony Chorus in one of the most challenging examples of the genre, Benjamin Britten’s "War Requiem," at the Carpenter Center.
Dec. 16, 2000 – Anonymous 4 makes its Richmond debut in its popular medieval-Christmas program "On Yoolis Night," at St. Giles Presbyterian Church.
Feb. 2, 2001 – German chanteuse Ute Lemper idiomatically, and very sensually, guides her audience through Weill & Brecht and other vintage Berlin cabaret music, at the 
University of Richmond.
April 27, 2001 – Brazilian pianist Sonia Rubinsky makes a sparkling local debut with Smith and the symphony in Mozart’s Piano Concerto No. 21 in C major, at the University of Richmond.
May 26, 2001 – the Hampden-Sydney Music Festival marks its 20th anniversary with Olivier Messiaen’s "Quartet for the End of Time," played by pianist Edward Auer, clarinetist Ethan Sloane, violinist Charles Castleman and cellist Peter Rejto.
June 12, 2001 – Arnold Steinhardt, first violinist of the 
Guarneri Quartet, and pianist Reiko Aizawa join the Shanghai Quartet in Chausson’s voluptuous Concert for violin, piano and string quartet, at the University of Richmond.
Sept. 14, 2001 – In the wake of the Sept. 11 attacks, the Richmond Symphony and Symphony Chorus, with pianist Joanne Kong and mezzo-soprano Martha Slay, present a program, including Beethoven’s "Choral Fantasy" and Brahms’ "Alto Rhapsody," that powerfully affirms the Western culture targeted by the terrorists. As post-9/11 flight restrictions leave Mark Russell Smith stranded in Minnesota, Eckart Preu, in his third week as the symphony’s associate conductor, leads the concert, at Virginia Commonwealth University.
Sept. 22, 2001 – More affirmation in a tragic month, as Smith leads the symphony and its chorus in Beethoven’s Ninth Symphony, in a benefit for the American Red Cross, at the Carpenter Center.
Oct. 20, 2001 – Smith and the symphony present the first in a decade-long survey of the late Bruckner symphonies in a Wagnerian reading of the Seventh, at the Carpenter Center.
Nov. 9, 2001 – Smith and the symphony contrast Mozart’s "Linz" Symphony (No. 36) with more compact and knottier symphonies of Schoenberg and Webern, at Virginia Commonwealth University.
Nov. 10, 2001 – The great Czech pianist Ivan Moravec 
returns to Virginia Commonwealth University for a program of Chopin, Debussy and Janáček, composers in which he has no living interpretive peer.
Jan. 18, 2002 – Linda Maguire ably negotiates the most tongue-twisting narrating gig in classical music, reciting Edith Sitwell’s text for William Walton’s "Façade" with Preu and the symphony, at Virginia Commonwealth University.
Feb. 15, 2002 – Violinist Joseph Silverstein leads the symphony, with Smith in a cameo role as cellist, in Schoenberg’s "Transfigured Night" and works by Mozart, at Virginia Commonwealth University.
Feb. 8, 2003 – James Wilson’s short-lived ChamberFest at Virginia Commonwealth University hits a high note as Michael Friedmann narrates Schoenberg’s "Ode to Napoleon," alongside works of Beethoven and Zelenka.
Feb. 24, 2003 – Smith and the symphony perform Dvořák’s "New World" Symphony at the Carpenter Center with rich sonority and plenty of soul, rivaling a Washington performance a week later by the Vienna Philharmonic. Really.
Sept. 13, 2003 – André Watts delivers an unusually crystalline, almost Mozartian, performance of Rachmaninoff’s Piano Concerto No. 2 with Smith and the symphony, at the Carpenter Center.
Nov. 7, 2003 – Smith and the symphony play the arguably greatest of the Mozart symphonies, the “Prague” (No. 38), and the Oboe Concerto of Bohuslav Martinů, with Michael Lisicky as the soloist, at Randolph-Macon College.
Nov. 15, 2003 – English pianist Stephen Hough gives 
thoughtful yet stunning performances of Lizst, Hummel and Chopin, at Virginia Commonwealth University.
Feb. 13, 2004 – Symphony musicians, grouped into chamber ensembles, deliver deeply satisfying readings of Brahms, Varèse, Villa-Lobos and Zelenka, at Randolph-Macon College.
Feb. 14, 2004 – The Paris Piano Trio and Ysaÿe Quartet conduct a clinic in French string-playing and interpretive styles in a program of Beethoven, Ravel and Chausson, at Virginia Commonwealth University.
March 22, 2004 – Peter Phillips leads his vocal ensemble, the Tallis Scholars, with members of the James River Singers and University of Richmond choristers, in Thomas Tallis’ 40-part (!) motet "Spem in Alium," twice in a single concert, at the University of Richmond.
March 30, 2004 – Olivier Latry, titular organist of Notre Dame in Paris, wraps up a largely French program with masterful demonstrations of organ improvisation, at River Road Church, Baptist.
May 22, 2004 – Smith leads the symphony in a deeply resonant Mahler Fifth Symphony, at the Carpenter Center.
Aug. 15, 2004 – The Richmond Chamber Players revel in wind-powered chamber works of Mozart, Poulenc, Nielsen and Paul Schoenfield, at the Virginia Museum of Fine Arts.
Sept. 18, 2004 – Smith and the symphony, with pianist Norman Krieger, accentuate the French accents of Gershwin, Barber, Copland and Bernstein, at the Carpenter Center.
Sept. 24, 2004 – Liszt’s Sonata in B minor proves to be just 
a warmup for pianist Alexander Paley, who goes on to play a set of encores that amount to a third half of a program, at First English Lutheran Church.
Nov. 8, 2004 – Polish-born pianist Krystian Zimerman gives exemplary and exploratory performances of Mozart, Chopin and Ravel, at the University of Richmond.
Feb. 20, 2005 – Christopher Falzone, the onetime piano prodigy from Chesterfield County, comes home to play Mozart’s "Coronation" Concerto (No. 26) with Smith and the symphony, while Jonathan Friedman, the orchestra’s principal bassoonist, gives the first of several drolly costumed performances of Michael Daugherty’s "Dead Elvis," 
at the University of Richmond.
Oct. 28, 2005 – Smith and the symphony plumb the spiritual depths of Bruckner’s epic Eighth Symphony, at Second Baptist Church.
Nov. 29, 2005 – Tenor William Ferguson returns to his old school, St. Christopher’s, for a program of French and American songs (including one by his old classmate, Mason Bates) that crackles with personality.
Dec. 13, 2005 – Near-darkness intensifies the musical experience as James Wilson plays three of Bach’s suites for solo cello in a room lit only by candlelight, at Second 
Presbyterian Church.
April 5, 2006 – Leon Fleisher, the great American pianist sidelined from two-hands performances through what would have been his peak performing years, gives an inspiring program of Schubert, Bach and Stravinsky, at the University of Richmond.
April 8, 2006 – French-Canadian pianist Marc-André Hamelin lives up to his virtuoso reputation, and then some, in a program devoted largely to Liszt’s finger-busting opera paraphrases, at Virginia Commonwealth University.
April 21, 2006 – Smith and the symphony gives Sibelius’ Second Symphony almost Brucknerian treatment, in a program also featuring violinist Jennifer Koh playing Bruch, at Second Baptist Church.
Dec. 1, 2006 – Canadian pianist Angela Hewitt brings unusual clarity and color to a program of Bach, Rameau, Mozart and Beethoven, at the University of Richmond.
Feb. 23, 2007 – To mark the retirement of James Erb, founder of the Richmond Symphony Chorus, Smith leads a richly reverent Brahms "German Requiem," further distinguished by the contributions of baritone Richard Zeller, at Second Baptist Church.
April 20, 2007 – Violinist Jessica Lee, another onetime 
hometown prodigy, returns to play Vaughan Williams’ "The Lark Ascending" with Smith and the symphony at Bon Air Baptist Church; that and Copland’s "Appalachian Spring" prove to be fitting elegies for the victims of the mass shooting at Virginia Tech a few days earlier.
April 24, 2007 – Jos van Veldhoven leads the Netherlands Bach Society in an austere and profound performance of Bach’s Mass in B minor, at the University of Richmond.
May 18, 2007 – Karen Johnson, the symphony’s concertmaster, delivers one of the best of her annual 
concerto performances in Shostakovich’s Violin Concerto No. 1, while Smith leads the orchestra in a deliciously high-calorie account of Richard Strauss’ orchestral suite from "Der Rosenkavalier," at Second Baptist Church.
Oct. 19, 2007 – The Virginia Opera stages the most theatrically persuasive production of its challenging five-year exile in the cavernous Landmark Theater, as Peter Mark conducts Offenbach’s "The Tales of Hoffmann."
Oct. 26, 2007 – To mark the symphony’s 50th anniversary, Smith, the orchestra and pianist Jeremy Denk re-create the 1957 opening night program, highlighted by Beethoven’s Piano Concerto No. 4 and Mendelssohn’s "Scottish" Symphony (No. 3), at the University of Richmond. The sole remaining veteran of that debut concert, violinist Elizabeth Moore, plays one of her last dates with the orchestra.
Nov. 7, 2007 – eighth blackbird, the new-music sextet in residence at the University of Richmond, plays the atmospheric, culture-crossing music of Stephen Hartke, including the premiere of "Meanwhile: Incidental Music to Imaginary Puppet Plays."
Nov. 12, 2007 – In what’s likely to be remembered as the 
most impressive local debut by a young musician in living memory, Chinese-born pianist Yuja Wang joins the Shanghai Quartet in Schumann’s Piano Quintet and plays solo works by Ravel, Scriabin and Gluck, at the University of Richmond.
Jan. 19, 2008 – Smith and the symphony take to heart the passions of the two greatest unfinished symphonies, Schubert’s Eighth and Bruckner’s Ninth, at First Baptist Church.
March 1, 2008 – French pianist Pascal Rogé explores Chopin and his music’s resonations in works by Fauré, Debussy, Ravel and Poulenc, at Virginia Commonwealth University.
March 15, 2008 – Smith leads the symphony and Symphony Chorus in a dramatic yet deeply spiritual Verdi Requiem, at First Baptist Church.
March 26, 2008 – eighth blackbird premieres the Double 
Sextet of Steve Reich and "singing in the dead of night" by Julia Wolfe, David Lang and Michael Gordon, at the University of Richmond; the Reich subsequently is awarded the Pulitzer Prize for music.
March 27, 2008 – Sonia Rubinsky, following a couple of Mozart concerto performances with the symphony, returns for a Virginia Commonwealth University festival of music by Brazilian composer Heitor Villa-Lobos, playing his knotty but thrilling piano piece "Rudepoema."
April 12, 2008 – James Wilson’s Richmond Festival of Music introduces Richmonders to Amy Beach’s too-rarely-heard Theme and Variations for flute and string quartet, with Richmond Symphony flutist Mary Boodell leading the ensemble, at Second Presbyterian Church.
April 25, 2008 – George Manahan, who preceded Smith as music director of the symphony, plays to his interpretive strong suit in a program of Bartók’s Concerto for Orchestra, Debussy’s "La Mer" and, with Karen Johnson, Stravinsky’s Violin Concerto, at Second Baptist Church.
April 29, 2008 – The Richmond Festival of Music’s American series hits another peak as pianist Carsten Schmidt, violinist Diane Pascal and cellist James Wilson give a rip-roaring account of Charles Ives’ Piano Trio, at Second Presbyterian Church.
May 16, 2008 – Richmond-bred composer Mason Bates 
introduces his old hometown to orchestral electronica in his "Rusty Air in Carolina," played with Smith and the symphony, at Second Baptist Church.
April 19, 2009 – Wilson’s festival turns to the baroque, and in a program of Telemann, Frederick the Great, Leclair and Couperin, introduces us to the German violinist Florian Deuter, perhaps the most fluent and passionate practitioner of "historically informed" fiddling this town has ever heard, at First Unitarian Universalist Church.
May 16, 2009 – Smith concludes his nine-year tenure as the symphony’s music director with a majestically austere performance of Mahler’s Ninth Symphony, at 
First Baptist Church.
Aug. 23, 2009 – Pianists George Manahan and John Walter and percussionists James Jacobson and Montgomery Hatch shake the earth, or at least the Bon Air Presbyterian Church Sanctuary, with Bartók’s Sonata for two pianos and percussion.
Oct. 19, 2009 – Veteran cellist Lynn Harrell joins the Shanghai Quartet in a darkly lyrical, heartfelt account of Schubert’s Quintet in C major, at the University of Richmond.
The Richmond Symphony has appointed composer D.J. Sparr to a residency in which he will write works for the Richmond Symphony Youth Orchestra, as well as working with 
students and participants in the symphony's interactive composition class.
Sparr, who grew up playing guitar, has worked in contemporary art-music, jazz and American vernacular musics. He is an alumnus of the Baltimore School for the Arts, the Eastman School of Music and the University of Michigan. His works have received a number of awards, including the $10,000 prize grand in the BMG/Williams College Young Composers Competition for his "Wrought Hocket."
“I want students to know that they’re part of the future of music,” Erin Freeman, the Richmond Symphony's associate conductor and director of its education initiatives, said in a statement announcing Sparr's appointment. “It’s important for young musicians to play both masterworks and new works," Freeman said. "Our collaboration with D.J. will allow students to explore contemporary compositions.”
Sparr's residency runs through June 2011.
The Richmond Symphony has narrowed the field of music-director candidates from nine to three: Alastair Willis, who conducted the opening program of the 2009-10 season, and Marc Taddei and Steven 
Smith, who conducted audition concerts last season.
"We are committed to doing the right thing in the right way," Joe Murillo, president of the symphony board, said in a statement. "To that end, it seems only fair, before the final decision is made, to offer the leading candidates from 2008-09 the same opportunity afforded to those who have appeared in 2009-10, to conduct the symphony in our new home," the Carpenter Theatre of Richmond CenterStage.
"Hearing the leading candidates in the new hall is crucial to the conclusion of this process," added David Fisk, the 
orchestra’s executive director and a member of the 10-member music-director search committee. According to Fisk, the searchers will focus on "the quality of performance a new music director will elicit from our musicians, and on [his] connection to our audience."
Taddei will return to conduct Jan. 16-17 Masterworks concerts, featuring the Mussorgsky-Ravel "Pictures at an Exhibition," Prokofiev’s "Lieutenant Kijé" Suite and Borodin’s "Polovtsian Dances." Smith will conduct the Feb. 27-28 Masterworks program, including Shostakovich’s Fifth Symphony, Berlioz’s “Le Corsaire” Overture and Beethoven’s “Emperor” Concerto 
with pianist Jon Nakamatsu. (The Shostakovich is a program change, taking the place of Dvořák’s Sixth Symphony.)
The new music director is now expected to be selected in time for him to conduct an April 24 gala featuring violinist Gil Shaham.
Erin Freeman, the orchestra’s associate conductor and interim artistic advisor, will conduct Masterworks programs of Feb. 6-7 and March 20-21. Jacques Houtmann, the symphony’s second music director (1971-87), will return to conduct the final Masterworks concerts of the season on May 16-17.
Strad, it seems. New research on the violins of Antonio Stradivari finds no secret ingredient in the varnish, knocking down one set of theories about why the instruments sound so exceptional. Stradivari's mixture of oil and resins is "a very basic recipe," Philippe Échard of Paris' Musée de la Musique tells The New York Times' Henry Fountain:
http://www.nytimes.com/2009/12/04/science/04strad.html?_r=1&ref=music
As Mark Twain might say, reports of the compact disc's demise are greatly exaggerated – or, at least, a bit premature. The top-selling debut recording in the U.S. during the past week, "I Dreamed a Dream" by Susan Boyle, the Scottish hausfrau-next-door turned international singing sensation, sold more than 700,000 copies, 94 percent of them CDs.
"Ms. Boyle’s sales are a reminder of a large and often forgotten audience: older listeners," writes The New York Times' Ben Sisario:
http://www.nytimes.com/2009/12/03/arts/music/03sales.html?_r=1&ref=music
The Washington National Opera will cut its operating budget from $32 million to about $26.5 million, eliminate eight staff positions and limit its 2010-11 season to five productions as it tries to secure itself financially.
"With this lower budget and reduced number of operas, WNO takes a step away from the international level to which it has aspired, particularly since Plácido Domingo took over," Anne Midgette reports in The Washington Post:
http://www.washingtonpost.com/wp-dyn/content/article/2009/11/30/AR2009113004073.html
Classical performances in and around Richmond, with selected events elsewhere in Virginia and the Washington area. Program information, provided by presenters, is updated as details become available. Adult single-ticket prices are listed; senior, student, group and other discounts may be offered.
SCOUTING REPORT
* My picks: In the spirit of the season, it’s all good. 
Especially noteworthy, though, is the premiere of Virginia composer Adolphus Hailstork’s "The Gift of the Magi" by JoAnn Falletta and the Virginia Symphony, with soloists, choruses and dancers, Dec. 13 at Christopher Newport University’s Ferguson Arts Center in Newport News and Dec. 15 at Regent University Theater in Virginia Beach. . . . And a "Messiah" with a big difference: The Edwardian-nouveau orchestration that Eugene Goosens prepared for Thomas Beecham in the 1950s, resurrected by the National Symphony, Dec. 17-20 at Washington’s Kennedy Center.
Dec. 1 (8 p.m.)
Vlahcevic Concert Hall, Singleton Arts Center, Virginia Commonwealth University, Park Avenue at Harrison Street, Richmond
Choral Arts Society & Women’s Chorus
Rebecca Tyree directing
Commonwealth Singers
John Guthmiller directing
Vocal Chamber Ensemble
program TBA
$5
(804) 828-6776
http://www.vcu.edu/arts/music/dept/events/index.html
Dec. 2 (7:30 p.m.)
Camp Concert Hall, Modlin Arts Center, University of Richmond
University Orchestra
Alexander Kordzaia conducting
Kabalevsky: Violin Concerto in C major (first movement)
Natalia Sanders, violin
Barber: Violin Concerto (second movement)
Jessica Clough, violin
other works TBA
Free
(804) 289-8980
www.modlin.richmond.edu
Dec. 3 (8 p.m.)
Vlahcevic Concert Hall, Singleton Arts Center, Virginia Commonwealth University, Park Avenue at Harrison Street, Richmond
VCU Symphony Orchestra
Daniel Myssyk conducting
Weber: "Oberon" Overture
Frank Martin: Ballade for flute and orchestra
Melanie Libbey, flute
Mendelssohn: Symphony No. 3 ("Scottish")
$5
(804) 828-6776
http://www.vcu.edu/arts/music/dept/events/index.html
Dec. 3 (7 p.m.)
Dec. 4 (1:30 p.m.)
Dec. 5 (8 p.m.)
Kennedy Center Concert Hall, Washington
National Symphony Orchestra
Andrew Litton conducting
Rimsky-Korsakov: "The Snow Maiden" Suite
Jennifer Higdon: Piano Concerto (premiere)
Yuja Wang, piano
Tchaikovsky: Symphony No. 1 ("Winter Dreams")
$20-$85
(800) 444-1324
www.kennedy-center.org
Dec. 3 (7:30 p.m.)
Terrace Theater, Kennedy Center, Washington
Trio Solisti
Mendelssohn: Piano Trio No. 2 in C minor, Op. 66
Piazzolla: "The Four Seasons of Buenos Aires"
Paul Moravec: Passacaglia
Mussorgsky: "Pictures at an Exhibition" (Trio Solisti arr.)
$32
(800) 444-1324
www.kennedy-center.org
Dec. 3 (8 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
Angela Hewitt, piano
Bach: "Goldberg Variations"
$27-$77
(202) 785-9727 (Washington Performing Arts Society)
www.wpas.org
Dec. 4 (8 p.m.)
Carpenter Theatre, Richmond CenterStage, Sixth and Grace streets
Richmond Symphony
Erin Freeman conducting
Handel: "Messiah" (abridged)
Hyunah Yu, soprano
Jennifer Rivera, mezzo-soprano
William Ferguson, tenor
Jason Hardy, baritone
Richmond Symphony Chorus
$27-$42
(800) 982-2787 (Ticketmaster)
www.richmondsymphony.com
Dec. 4 (8 p.m.)
Vlahcevic Concert Hall, Singleton Arts Center, Virginia Commonwealth University, Park Avenue at Harrison Street, Richmond
Performers TBA
VCU Music Department Holiday Gala
Program TBA
$5; proceeds benefit Hospital Hospitality House
(804) 828-6776
http://www.vcu.edu/arts/music/dept/events/index.html
Dec. 4 (8 p.m.)
Old Cabell Hall, University of Virginia, Charlottesville
Dec. 12 (8 p.m.)
Paramount Theater, 215 E. Main St., Charlottesville
Virginia Glee Club
Virginia Gentlemen
holiday program TBA
$15
(434) 924-3984
http://artsandsciences.virginia.edu/music/concertsevents/index.html
Dec. 4 (8 p.m.)
Dec. 6 (2 p.m.)
University Chapel, University of Virginia, Charlottesville
Virginia Women’s Chorus
Christmas Candlelight Service
Britten: "A Ceremony of Carols"
other works TBA
$10
(434) 924-3984
http://artsandsciences.virginia.edu/music/concertsevents/index.html
Dec. 4 (8 p.m.)
Dec. 6 (2 p.m.)
Center for the Arts, George Mason University, Fairfax
Virginia Opera
Joseph Walsh conducting
Donizetti: "The Daughter of the Regiment"
Manon Strauss Evrard (Marie)
Gennard Lombardozzi (Tonio)
Todd Robinson (Sgt. Sulpice)
Josepha Gayer (Marquise de Birkenfeld)
David Barron (Hortensius)
Dorothy Danner, stage director
in French, English captions
$44-$98
(888) 945-2468 (Tickets.com)
www.vaopera.org
Dec. 4 (8 p.m.)
Coolidge Auditorium, Library of Congress, First Street at Independence Avenue S.E., Washington
St. Lawrence String Quartet
Haydn: Quartet in C major, Op. 54, No. 2
John Adams: String Quartet
Ezequiel Viñao: String Quartet (premiere)
Free; tickets required
(703) 573-7328 (Ticketmaster)
http://www.loc.gov/rr/perform/concert/0910-schedule.html
Dec. 5 (8 p.m.)
Dec. 6 (3 p.m.)
Carpenter Theatre, Richmond CenterStage, Sixth and Grace streets
Richmond Symphony Pops
Erin Freeman conducting
Richmond Symphony Chorus
Richmond Boys Choir
"Let It Snow!"
$17-$75
(800) 982-2787 (Ticketmaster)
www.richmondsymphony.com
Dec. 5 (1:30 and 3 p.m.)
Dec. 6 (1:30 and 3 p.m.)
Kimball Theatre, Merchants Square, Williamsburg
Williamsburg Symphonia
Janna Hymes conducting
"Santa Comes to Town"
$20-$25
(757) 229-9857
www.williamsburgsymphonia.org
Dec. 5 (8 p.m.)
Dec. 6 (3:30 p.m.)
Old Cabell Hall, University of Virginia, Charlottesville
Charlottesville & University Symphony Orchestra
Michael Slon conducting
University Singers
David Colwell, violin
Stephanie Nakasian, vocals
"Family Holiday Concert"
works by Vivaldi, Handel, others
$10-$35
(434) 924-3984
http://artsandsciences.virginia.edu/music/concertsevents/index.html
Dec. 5 (2 p.m.)
Terrace Theater, Kennedy Center, Washington
Plamena Mangova, piano
Scriabin: Sonata No. 9 ("Messe noire")
Scriabin: six études
Chopin: Nocturne No. 1 in B major, Op. 62
Chopin: Ballade No. 1 in G minor, Op. 23
Ravel: "Pavane pour une infante défunte"
Ravel: "Alborada del gracioso"
Ravel: "La Valse"
$40
(202) 785-9727 (Washington Performing Arts Society)
www.kennedy-center.org
Dec. 6 (4 p.m.)
St. Mark’s Episcopal Church, 520 N. Boulevard, Richmond
Richmond Choral Society
Thomas Williams directing
Chris Martin, organ
Anastasia Jellison, harp
"Christmas with the Richmond Choral Society"
$12 in advance, $15 at door
(804) 967-9878
www.richmondchoralsociety.org
Dec. 6 (5 and 8 p.m.)
Cannon Memorial Chapel, University of Richmond
Christmas Candlelight Service: Service of Lessons and Carols
Free
(804) 289-8980
www.modlin.richmond.edu
Dec. 6 (8 p.m.)
Shaftman Performance Hall, Jefferson Center, 541 Luck Ave., Roanoke
Roanoke Symphony
David Stewart Wiley conducting
Handel: "Messiah" (abridged)
Adelaide Muir-Trombetta, soprano
Tara Bouknight, alto
John Hugo, tenor
Wayne Kompelien, bass
Roanoke Symphony Chorus
John Hugo directing
$21-$49
(540) 343-9127
www.rso.com
Dec. 7 (7 p.m.)
Atrium, James Center, 1051 E. Cary St., Richmond
Richmond Philharmonic
Robert Mirakian conducting
"Home for the Holidays"
Donations accepted
(804) 673-7400
www.richmondphilharmonic.org
Dec. 8 (7:30 p.m.)
First Unitarian Universalist Church, 1000 Blanton Ave. at the Carillon, Richmond
Richmond Festival of Music:
Christina Day Martinson, baroque violin
Mary Boodell, traverse flute
Ulysses Kirksey, viola da gamba & baroque cello
James Wilson, baroque cello
Carsten Schmidt, harpsichord
"Baroque by Candlelight: a Tale of Four Cities"
Handel: Trio Sonata in B minor
Purcell: Fantazia No. 2 in three parts
Geminiani: Cello Sonata in D minor
Domenico Gabrielli: Ricercar No. 5 for solo cello
Vivaldi: Sonata in A major from "Il Pastor Fido"
Bach: Chaconne from Partita in D minor for solo violin
Telemann: Quartet in D major ("Paris")
$25
(804) 519-2098 (Chamber Music Society of Central Virginia)
www.cmscva.org
Dec. 8 (7 p.m.)
Old Cabell Hall, University of Virginia, Charlottesville
Donald Loach conducting
"Messiah" Sing-In
$8
(434) 924-3984
http://artsandsciences.virginia.edu/music/concertsevents/index.html
Dec. 8 (7:30 p.m.)
Terrace Theater, Kennedy Center, Washington
Ray Chen, violin
Noreen Polera, piano
Tartini: Violin Sonata in G minor ("The Devil’s Trill")
Franck: Sonata in A major
Bach: Sonata in A minor, BWV 1003, for unaccompanied violin
Sarasate: Introduction and Tarantella
$30
(800) 444-1324
www.kennedy-center.org
Dec. 9 (7:30 p.m.)
Terrace Theater, Kennedy Center, Washington
Remus Azoitei, violin
Eduard Stan, piano
Enescu: Sonata in A minor (torso)
Brahms: Sonata No. 3 in D minor, Op. 108
Brahms: Sonata No. 2 in A major, Op. 100
Enescu: Sonata in A minor, Op. 25
$15-$30
(800) 444-1324
www.kennedy-center.org
Dec. 10 (7:30 p.m.)
Wilton House Museum, 215 S. Wilton Road, Richmond
Richmond Festival of Music:
Christina Day Martinson, baroque violin
Mary Boodell, traverse flute
Ulysses Kirksey, viola da gamba & baroque cello
James Wilson, baroque cello
Carsten Schmidt, harpsichord
"Baroque Français"
Marin Marais: "Sonnerie de Ste. Genevieve du Mont de Paris"
Couperin: "Concert Royal" No. 1
Michel Pinolet de Montéclair: Concert in A major for two treble instruments
Jean Baptiste Barrière: Cello Sonata in B minor
Telemann: Quartet in D major ("Paris")
harpsichord pieces TBA
$50
(804) 519-2098 (Chamber Music Society of Central Virginia)
www.cmscva.org
Dec. 10 (7 p.m.)
Dec. 11 (8 p.m.)
Dec. 12 (8 p.m.)
Dec. 13 (7 p.m.)
Kennedy Center Concert Hall, Washington
National Symphony Pops
Marvin Hamlisch conducting
Michele Ragusa, soprano
Jonathan Ansell, tenor
Afro Blue vocal ensemble
Emma Resmini, flute
Michael Levick, actor
"Happy Holidays!"
$20-$85
(800) 444-1324
www.kennedy-center.org
Dec. 10 (8 p.m.)
Coolidge Auditorium, Library of Congress, First Street at Independence Avenue S.E., Washington
Diaz Trio
Rodrigo Ojeda, piano
Dohnányi: Serenade in C major, Op. 10, for string trio
George Rochberg: Sonata for violin and piano
Beethoven: String Trio No. 1 in G major, Op. 9
Free; tickets required
(703) 573-7328 (Ticketmaster)
http://www.loc.gov/rr/perform/concert/0910-schedule.html
Dec. 11 (8 p.m.)
Paramount Theater, 215 E. Main St., Charlottesville
The Canadian Brass
holiday program TBA
$39.50-$49.50
(434) 979-1333
www.theparamount.net
Dec. 11 (7:30 p.m.)
Emmanuel Episcopal Church, 300 W. Frederick St., Staunton
Richmond Festival of Music:
Christina Day Martinson, baroque violin
Mary Boodell, traverse flute
Ulysses Kirksey, viola da gamba & baroque cello
James Wilson, baroque cello
Carsten Schmidt, harpsichord
"Baroque Français"
Marin Marais: "Sonnerie de Ste. Genevieve du Mont de Paris"
Couperin: "Concert Royal" No. 1
Michel Pinolet de Montéclair: Concert in A major for two treble instruments
Jean Baptiste Barrière: Cello Sonata in B minor
Telemann: Quartet in D major ("Paris")
harpsichord pieces TBA
$25
(804) 519-2098 (Chamber Music Society of Central Virginia)
www.cmscva.org
Dec. 11 (8 p.m.)
Salem Civic Center, Boulevard Roanoke
Roanoke Symphony
David Stewart Wiley conducting
Roanoke Symphony Chorus
John Hugo directing
Roanoke College Children’s Choir
Kimberly Davidson directing
Salem Choral Society
Aaron Garber directing
Mill Mountain Ringers
George Dyer, tenor
"Holiday Pops Spectacular!"
$28-$55
(540) 343-9127
www.rso.com
Dec. 12 (7 p.m.)
Chesterfield Towne Center, Huguenot Road at Midlothian Turnpike, Richmond
Dec. 13 (3 p.m.)
Virginia Center Commons, Washington Highway (U.S. 1 north), Glen Allen
Central Virginia Wind Symphony
Mike Goldberg directing
Curnow: "Fanfare for Christmas"
Swearingen: "Aventura"
Sousa: "Northern Pines March"
arr. Philippe: "Mamma Mia!" highlights
Herbert-Rogers: "March of the Toys"
arr. Moss: "The Most Wonderful Time of the Year"
arr. Holcombe: "Festive Sounds of Hanukah"
arr. Long: " 'Twas the Night Before Christmas"
Anderson: "Sleigh Ride"
arr. Ployhar: "Christmas 'Pop' Sing-A-Long"
Anderson: "A Christmas Festival"
Free
Dec. 12 (8 p.m.)
Dec. 13 (3 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
National Philharmonic
Stan Engebretson conducting
Handel: "Messiah"
Danielle Talamantes, soprano
Victoria Livengood, mezzo-soprano
Robert Baker, tenor
Leon Williams, baritone
National Philharmonic Chorale
$29-$79
(301) 581-5100
www.strathmore.org
Dec. 13 (4 p.m.)
Bon Air Presbyterian Church, 9201 W. Huguenot Road, Richmond
"Messiah" sing-along
Anne Carr Regan conducting
Karen Floyd Savage, soprano
Heather Jones, mezzo-soprano
Tracey Welborn, tenor
Kurt Negaard, bass
Pamela McClain, harpsichord
Stephen Henley, organ
Donation requested
Rehearsal at 1 p.m. Dec. 12
(804) 272-7514
Dec. 13 (7 p.m.)
Ferguson Arts Center, Christopher Newport University, Newport News
Dec. 15 (8 p.m.)
Regent University Theater, Virginia Beach
Virginia Symphony
JoAnn Falletta conducting
Adolphus Hailstork: "The Gift of the Magi" (premiere)
Handel: "Messiah" (abridged)
Amy Van Roekel, soprano
Kirstin Chavez, mezzo soprano
Jonathan Boyd, tenor
Lester Lynch, bass-baritone
Todd Rosenleib Dance
Virginia Symphony Chorus
Virginia Children’s Chorus
$25-$85
(757) 892-6366
www.virginiasymphony.org
Dec. 14 (7 p.m.)
Kennedy Center Concert Hall, Washington
Choral Arts Society of Washington
Norman Scribner directing
Janice Chandler Eteme, soprano
Carol Ringers of St. Matthew’s United Methodist Church
Nancy Cappel directing
Washington Symphonic Brass
Phil Snedcor directing
"Joyeux Noël"
$15-$65
(800) 444-1324
www.kennedy-center.org
Dec. 17 (7 p.m.)
Dec. 18 (8 p.m.)
Dec. 19 (8 p.m.)
Dec. 20 (1 p.m.)
Kennedy Center Concert Hall, Washington
National Symphony Orchestra
Rossen Milanov conducting
Handel-Goosens: "Messiah"
Elza van den Heever, soprano
Meredith Arwady, contralto
Jason Collins, tenor
Eric Owens, bass-baritone
Washington Chorus
Julian Wachner directing
$20-$85
(800) 444-1324
www.kennedy-center.org
Dec. 18 (8 p.m.)
Coolidge Auditorium, Library of Congress, First Street at Independence Avenue S.E., Washington
Parker String Quartet
Haydn: Quartet in C major, Op. 20, No. 2
Dutilleux: "Ainsi la nuit"
Beethoven: Quartet in E flat major, Op. 127
Free; tickets required
(703) 573-7328 (Ticketmaster)
http://www.loc.gov/rr/perform/concert/0910-schedule.html
Dec. 19 (8 p.m.)
American Theatre, 125 E. Mellen St., Hampton
Brandon Wood, tenor
"I’ll Be Home for Christmas"
$25-$30
(757) 722-2787
http://hamptonarts.net/american_theatre/onsalenow.php
Dec. 19 (2 p.m.)
Sandler Arts Center, 201 S. Market St., Virginia Beach
Dec. 19 (8 p.m.)
Chrysler Hall, 201 Brambleton Ave., Norfolk
Virginia Symphony
conductor TBA
holiday pops program
$25-$88
(757) 892-6366
www.virginiasymphony.org
Dec. 19 (8 p.m.)
Paramount Theater, 215 E. Main St., Charlottesville
Oratorio Society of Virginia
L. Thomas Vining directing
"Christmas at The Paramount"
$14-$55
(434) 979-1333
www.theparamount.net
Dec. 19 (1 p.m.)
Dec. 21 (7 p.m.)
Dec. 22 (7 p.m.)
Kennedy Center Concert Hall, Washington
Washington Chorus
Julian Wachner directing
"A Candlelight Christmas"
$15-$60
(800) 444-1324
www.kennedy-center.org
Dec. 20 (5 p.m.)
All Saints Episcopal Church, River and Parham roads, Richmond
All Saints Choir of Men and Boys
Andrew Koebler directing
Festival of Lessons and Carols
Free
(804) 288-7811
www.allsaintsrichmond.org
Dec. 23 (7:30 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
Washington Chorus
Julian Wachner directing
"A Candlelight Christmas"
$15-$55
(301) 581-5100
www.strathmore.org
Dec. 31 (8:30 p.m.)
Kennedy Center Concert Hall, Washington
"New Year’s Eve at the Kennedy Center"
National Symphony Orchestra members
Murry Sidlin conducting
Gershwin: "Rhapsody in Blue"
Leon Bates, piano
works by Johann Strauss II, John Williams, Copland, Bernstein, Nicolai, others
dancing in Grand Foyer at 11 p.m.
$50-$95
(800) 444-1324
www.kennedy-center.org
